Dhir Shah

Undergraduate Student at University of Toronto

About Me

Dhir Shah - Professional headshot

Rationale — mom and dad's default option to push me to think beyond the box has become my mantra. My first practical classroom was a Boeing 777 from Nairobi to Ahmedabad — no syllabus, no grades, just lived experience. That early solo journey taught me that borders aren't just lines; they're ideas.

Since then, I've been chasing the intersections — of economics and human behavior, numbers and narratives, policy and people.

Today, I am an Economics and Mathematics student, using financial risk models, and game theory to decode the patterns behind decision-making — not just in markets, but everywhere. From reducing grading errors with data systems to reshaping student elections with digital tools, I believe that thoughtful design and relentless curiosity can make systems smarter and lives simpler.

Tomorrow, I'm headed toward a Ph.D. in Financial Econometrics — not to live in an ivory tower, but to build bridges between theory and action, analysis and impact.

I don't just want to understand the world — I want to optimize it. I believe education isn't a destination — it's a direction. And mine points to where data, empathy, and innovation meet.

Education

September 2021 - May 2026

Honours Bachelor of Science (HBSc): Double Major in Economics and Mathematics; Minor in Statistics

University of Toronto

Relevant Coursework: Financial Economics, Risk Management, Mathematics of Finance, Econometrics, Calculus, Differential Equations, Regression Analysis, Advanced Microeconomics: Game Theory, Advanced Macroeconomics, Abstract Mathematics, Linear Algebra, Groups and Symmetries, Optimization

Key Achievements:
  • Teaching Assistant within the Mathematics (MAT235Y1) and Economics (ECO358H1) Departments
  • Active Member of the Victoria University Students' Administrative Council (VUSAC)

Featured Projects

A showcase of my quantitative finance and economics research projects, demonstrating practical applications of financial theory and mathematical modeling.

Quantitative Finance

From Data to VaR: A Simulation Based Approach to Portfolio Risk

Consolidated 2 years of market data from Google Finance to compute daily drift and volatility, and ran 10-day price evolutions, delivering a 99% VaR with 95% historical accuracy. Developed a 10-day Monte Carlo VaR model for a $11.9 billion, 7-stock portfolio in Excel, leveraging Cholesky decomposition in STATA, cutting simulation time by 70%. Automated multi-step VaR simulation using correlated random draws and What-if Analysis in Excel, enabling 10,000 daily recalculations in under 2 minutes.

ExcelSTATAMonte Carlo SimulationCholesky DecompositionVaR ModelingFinancial Data Analysis

Research Interests

As I pursue higher education, I would like to explore the convergence of quantitative methods, financial theory, and mathematical patterns — including those found in Hindustani classical music — to develop innovative approaches to economic modelling and optimization.

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Financial Econometrics

Developing advanced statistical models for financial time series analysis, volatility forecasting, and risk assessment using econometric techniques.

Key Areas:

GARCH ModelsTime Series AnalysisVolatility ModelingMarket Risk Assessment
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Quantitative Finance

Mathematical modeling of financial instruments, derivatives pricing, and portfolio optimization using stochastic calculus and numerical methods.

Key Areas:

Derivatives PricingPortfolio TheoryRisk ManagementMonte Carlo Methods

Mathematical Optimization

Applying linear and nonlinear programming, convex optimization, and algorithmic techniques to solve complex economic and financial problems.

Key Areas:

Linear ProgrammingConvex OptimizationAlgorithm DesignResource Allocation
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Pure Mathematics

Exploring abstract mathematical concepts including analysis, algebra, and differential equations that underpin quantitative finance models.

Key Areas:

Real AnalysisAbstract AlgebraDifferential EquationsMeasure Theory
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Hindustani Music Theory

Investigating mathematical structures in Indian classical music, including raga theory, tala patterns, and their applications to algorithmic composition.

Key Areas:

Raga MathematicsRhythmic PatternsHarmonic AnalysisAlgorithmic Composition

Research Intersections

The most innovative insights emerge where these disciplines converge, creating new methodologies and perspectives.

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Econometric Optimization

Combining econometric modeling with optimization techniques to develop more efficient algorithms for parameter estimation and model selection in financial time series.

Parameter EstimationModel Selection
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Mathematical Music Analysis

Applying mathematical analysis to understand the structural patterns in Hindustani ragas and exploring their potential applications in algorithmic trading and pattern recognition.

Pattern RecognitionAlgorithmic Trading
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Quantitative Mathematical Finance

Developing rigorous mathematical foundations for quantitative finance models, focusing on stochastic processes and their applications to derivatives pricing and risk management.

Stochastic ProcessesRisk Management
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Optimization in Music Theory

Exploring how optimization principles can be applied to understand the mathematical structures in classical music composition and improvisation techniques.

Harmonic OptimizationCompositional Analysis

Musical Journey

Beyond technology, I find deep fulfillment in the ancient art of Hindustani classical music, where mathematics meets melody.

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Hindustani Classical Vocal

Training in the rich tradition of Indian classical music for over 6 years, exploring the intricate relationship between mathematical patterns and melodic structures.

🎼Musical Training

AcademyShankar Mahadevan Academy
GuruRenuka Deshpande
Years of Training6+ Years
SpecializationHindustani Vocals

🏆Achievements

  • Featured Performer: Sangam 2021
  • SA Level Examination Completer: Honours
  • RE Level Examination Candidate

Featured Performances

Explore some of my live performances and recordings shared on social media and YouTube.

Bol Do Na Zara (Cover)

My rendition of 'Bol Do Na Zara', originally sung by Armaan Malik and composed by Amaal Malik.

Friendship Medley (Group Performance)

A group performance dedicated to graduating high school friends, featuring songs on friendship.

Shankar Mahadevan Academy Global Meet

A group performance at the Shankar Mahadevan Academy's global online meet, in front of Shankar Mahadevan himself. My performance starts at 1:47:28.

Ragas in My Repertoire

Yaman

Time: रात्री का पहला प्रहर (First Quarter of the Night / Evening)

Mood: Romantic

Bhairav

Time: उषा काल (At Dawn)

Mood: Devotional

Durga

Time: रात्रि का दूसरा प्रहर (Second Quarter of the Night)

Mood: Love

Khamaj

Time: रात्रि का दूसरा प्रहर (Second Quarter of the Night)

Mood: Light and Enthralling but not Sedate

Bhupali

Time: रात्री का पहला प्रहर (First Quarter of the Night / Evening)

Mood: Peaceful

Kafi

Time: रात्रि का दूसरा प्रहर (Second Quarter of the Night)

Mood: Folk-like

Alhaiya Bilawal

Time: दिन का द्वितीय प्रहर (Second Quarter of the Day)

Mood: Bright

Brindavani Sarang

Time: मध्याहंकाल (Early Afternoon)

Mood: Romantic

Des

Time: रात का द्वितीय प्रहर (Second Quarter of the Night)

Mood: Devotional

Where Music Meets Economics & Mathematics

My passion for Hindustani classical music deeply influences my approach to economics and mathematical research. The mathematical precision required in ragas mirrors the analytical thinking in economic modeling, while the improvisational nature of classical music inspires creative problem-solving in quantitative analysis and financial research.

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Mathematical Patterns

Understanding tala cycles and rhythmic patterns enhances my approach to economic modeling and statistical analysis

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Creative Expression

Improvisation in ragas inspires innovative approaches to financial modeling and economic research

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Mindful Practice

Daily riyaz (practice) cultivates discipline and focus essential for rigorous economic and mathematical research

Musical Recordings

Listen to some of my performances and practice sessions showcasing different ragas and compositions.

Lakshangeet

Raga: Yaman

My own composition in Raga Yaman.

Tirvat

Raga: Bhupali

A traditional Tirvat composition in Raga Bhupali.

Sakhi Mori Bandish

Raga: Durga

A traditional bandish in Raga Durga, set to Jhaptaal.

Get In Touch

I'm always open to discussing research opportunities, collaborations, or just having a casual conversation!

Let's Connect

I'm always excited to discuss new opportunities, research collaborations in Economics and Mathematics, or just have a casual chat!

Location

Toronto, Ontario, Canada